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Just using a real keyboard stand is probably the easiest.
http://accessories.musiciansfriend.com/product/OnStage-Stands-Folding-HeavyDuty-DualTier-Z-Stand?sku=450389

Is the view of a pedestal shown here an after-market modification or is it original? This is from a 1973 Stage 73, and I've never seen this before. This piano has great action and this pedestal is set up with a piece of metal rod sandwiched between a layer of action cloth and a layer of felt; this acts as the 'bump'.

http://www.shmuelyosef.com/Misc/Pedestal_mod_as_rcvd.jpg

I'm partial to the Z-stand for my Mark I:

http://www.zzounds.com/item--MUPKS7350

[These felts will help you set your key travel distance.]

Even if there was a stack of felts under the front of the keys, this stack will probably not be rigid enough to relieve the stress generated by the key pedestal pushing up against the hammer cam which stresses the flange.

Rather than use a 'stack of felts', you can add some thicker cardboard punchings with a thin felt cloth punching on top. Using a consistent thickness of felt gives a consistent feel, and the cardboard is plenty rigid. You can do the same thing on the balance rail to raise the nominal key height and then use the front rail spacer to either 1) make the escapement consistent or 2) make the pedestal 'capture' consistent (i.e. set the max pedestal height to the point where the hammer bottom sits exactly flat...I prefer this approach)

Interestingly, this is the listing from VintageVibe's offering of  front rail felts:

Rhodes / Wurlitzer Piano Front Rail Felts::

These felts are brand new and are a great replacement for your Rhodes or Wurlitzer Refurbishment. These felts will help you set your key travel distance.

The harp pivot links are essential for grounding. You may experience hum without them in certain cases. FYI.

John

Hard to believe that these do anything for grounding...my 1973 stage has maple end blocks for mounting the harp, and it's awesomely quiet. I generally just tap holes in every metal assembly and run ground braid back to the harp connector from each one, including a foil lining on the cover and foil underlayment beneath the keybed. Much more effective than relying on opportunistic grounding, which can be variable impedance and noisy.

I have used both the Ultra and the OnStage table stands for years with a Stage 73. Much more stable than the legs (even with the braces which I have and use when style is important).

The most stable stand I have found, however, is the Z stand from OnStage. Fast setup and VERY solid.
http://www.zzounds.com/item--MUPKS7350
It's so good that I'm thinking of removing the leg sockets from the current piano I am re-tolexing and dedicating it to stand use only.

They are attached pretty close to the balance rail, so the weight is nearly zero effectively